Monday, 24 September 2012
Sunday, 23 September 2012
There are several ways that the video for Lady Gaga's 2010 song 'Telephone' feat. Beyonce could be interpreted as postmodern...
Pastiche and intertextual references: References to Quentin Tarantino's 'Kill Bill' franchise by using the very same truck, the 'Pussy Wagon'; 'Pulp Fiction' through the use of the nickname 'Honey Bee', like 'Honey Bunny' is used in the film; the red and yellow font used is similar to that of 'Jackie Brown'; Gaga and Beyonce's 'Thelma and Louise' style relationship; Beyonce's Wonder Woman-esque outfit; the American flag outfits in the dance routine; imitation of Michael Jackson's shuffle as Gaga breaks out from jail; the Madonna-style look in the beginning of the video.
Consumerism: There is obvious product placement throughout, though it is not done in a humorous way. These include Virgin Mobile, HeartBeats, Chevrolet, Wonderbread, and Diet Coke.
Self-reference: Gaga shows self-awareness through not only the above product placement, but also by addressing the then-recent hermaphrodite rumours in the media, and by referring to her previous video for Paparazzi through the continuing narrative and similar costume choices, especially Beyonce's glasses in the diner scene.
Appropriation of identity-based struggle/Feminism: One the one hand, this video could be criticised as objectifying women, because of the revealing outfits worn by many of the females throughout, the use of close-ups solely on Beyonce's cleavage, the representation of women as needing to be beautiful and image-conscious due to Gaga's many costume changes and extravagant make-up, etc. However, by placing herself in an entirely female world, it could be argued that Gaga is empowering women and opposing the idea of the 'male gaze': "Lady Gaga is interesting for turning the male gaze back on men, and for portraying women as subjects rather than objects in her videos (albeit still scantily-clad subjects)."
Incredulity towards metanarratives: Although the video does consist of a sequence of events, it is difficult to find an overall message to it, mostly due to the many pop culture references and product placement interspersed with the storyline, which leaves little else.
Pastiche and intertextual references: References to Quentin Tarantino's 'Kill Bill' franchise by using the very same truck, the 'Pussy Wagon'; 'Pulp Fiction' through the use of the nickname 'Honey Bee', like 'Honey Bunny' is used in the film; the red and yellow font used is similar to that of 'Jackie Brown'; Gaga and Beyonce's 'Thelma and Louise' style relationship; Beyonce's Wonder Woman-esque outfit; the American flag outfits in the dance routine; imitation of Michael Jackson's shuffle as Gaga breaks out from jail; the Madonna-style look in the beginning of the video.
Consumerism: There is obvious product placement throughout, though it is not done in a humorous way. These include Virgin Mobile, HeartBeats, Chevrolet, Wonderbread, and Diet Coke.
Self-reference: Gaga shows self-awareness through not only the above product placement, but also by addressing the then-recent hermaphrodite rumours in the media, and by referring to her previous video for Paparazzi through the continuing narrative and similar costume choices, especially Beyonce's glasses in the diner scene.
Appropriation of identity-based struggle/Feminism: One the one hand, this video could be criticised as objectifying women, because of the revealing outfits worn by many of the females throughout, the use of close-ups solely on Beyonce's cleavage, the representation of women as needing to be beautiful and image-conscious due to Gaga's many costume changes and extravagant make-up, etc. However, by placing herself in an entirely female world, it could be argued that Gaga is empowering women and opposing the idea of the 'male gaze': "Lady Gaga is interesting for turning the male gaze back on men, and for portraying women as subjects rather than objects in her videos (albeit still scantily-clad subjects)."
Incredulity towards metanarratives: Although the video does consist of a sequence of events, it is difficult to find an overall message to it, mostly due to the many pop culture references and product placement interspersed with the storyline, which leaves little else.
Tuesday, 18 September 2012
Post modernism is currently a popular intellectual concept. It is used in a way of grouping and describing styles of thought and culture, it has attracted most critical attention from many years ago. Post modern thought has caused a revelation across all academic disciplines from physics to English etc.
Postmodern texts deliberately play with meaning. They are designed to be read by a literate (educated) audience and will exhibit many characters of intertextuality. Many texts openly acknowledge that, given the diversity in today's audiences, they can have no preferred reading (check out your Reception Theory) and present a whole range of oppositional readings simultaneously. Many of the sophisticated visual puns used by advertising can be described as postmodern. Postmodern texts will employ a range of referential techniques such as bricolage, and will use images and ideas in a way that is entirely alien to their original function (eg using footage of Nazi war crimes in a pop video).
Many media texts are deliberately constructed as postmodern and you are expected to engage with them as such.
Post modernism rejects boundaries between high and low of art, rejecting rigid genre distinctions, emphasizing pastiche, parody, irony and playfulness. Postmodern art favours reflexivity and self-consciousness, fragmentation and discontinuity.
Post modern theorist
According to Jean Baudrillard, is that in post moderm society there are no original, only copies he called this ‘simulacta’. For example painting or a sculpture where there is an orginal
Monday, 17 September 2012
why are music videos post modern
Music videos are considered to be post modern due to the cross between advertisment and art. It is partly due to the music video trying to sell a products such as as their music or promoting their songs album band or artist
Sunday, 16 September 2012
Postmorderism
Definition
Post modernism: A late 20th-century style in the arts, architecture, and criticism that represents a departure from modernism
Post modernism: A late 20th-century style in the arts, architecture, and criticism that represents a departure from modernism
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